Presses universitaires de Louvain onixsuitesupport@onixsuite.com 20260908T0016Z eng

COM.ONIXSUITE.9782875583208 03 01 Presses universitaires de Louvain 01 SKU 90627 02 2875583204 03 9782875583208 15 9782875583208 02 01 00 BC 00 01 9.45 in 02 6.30 in 03 1.82 in 08 18.40 oz 01 24 cm 02 16 cm 03 1.82 cm 08 522 gr BE 10 02 1 01 02 Floating Texts 01 01 Philology and Performing Arts A Challenge 1 B01 01 Onixsuite Contributor ID 6071 Mattia Cavagna Cavagna, Mattia Mattia Cavagna 2 B01 01 Onixsuite Contributor ID 6070 Costantino Maeder Maeder, Costantino Costantino Maeder <p>Costantino Maeder est professeur en études italiennes à l'Université catholique de Louvain. Ses principaux intérêts de recherche incluent la sémiotique, la pragmatique et les sciences cognitives.</p> <p>Costantino Maeder is professor ordinarius in Italian Literature and Linguistics at the Université catholique de Louvain. His interests are focused on interdisciplinary research that combines semiotics, <br /> pragmatics, cognitive sciences, and cultural studies.</p> 1 01 eng 00 324 03 26 1 10 PER000000 10 PER009000 24 INTERNET Langues, liguistique et littératures 29 2012 3146 Lettres et Sciences du langage 93 C 01 06 Arts du spectacle, philologues, théoriciens des arts de la scène 03 00 <p> How to establish a dialogue between Philology, which traditionally deals with written texts, and the "performing arts" – theatre, opera, cinema, radio drama – in which the text is just the shadow of a living, fleeting, ephemeral work of art which is called “the performance”?<br /> This volume invites to bridge the traditional gap between the author and the scribes, which means between the “original text” and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director, assume a very central role as intermediary author or co-author in the dynamic process of creating and re-creating works.</p> 02 00 This volume invites to bridge the traditional gap between the author and the scribes, which means between the "original text" and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director... 04 00 <p> Mattia Cavagna and Costantino Maeder: About Moving Texts:<br /> an Introduction to Philology and Performing Arts 7<br /> 1 – New Theoretical Approaches<br /> Francesco Benozzo: Agents of the Empire or Defenders of Dissent?<br /> The Ethnophilologist as Performer of the Tradition 17<br /> Sarah Bonciarelli: Orality, Writing, and New Media 29<br /> Johan Wijnants: Opera Surtitles: a New Text Between Libretto, Score,<br /> Translation, and Performance.  39<br /> Caspar Schjelbred: Improvisational Theatre. Art in the Making 59<br /> 2 – Opera between Philology and Performance Studies<br /> Paolo Rosato: Analysis of Variants and Re-definition of Sense: Towards a Dynamic<br /> Notion of Authenticity in a Work of Art. Examples from and Remarks on Rossini's<br /> Barbiere.  71<br /> Giovanni Polin: Between Urtext and Evolutionary Tradition: Challenges and<br /> Problems for Musical Philology in Editions of Eighteenth-Century Italian<br /> Drammi per musica. Some Examples. 87<br /> Ingrid Schraffl: Historicity and Liberty in the Performance Practice of<br /> XVIIIth-Century Italian Opera Buffa: a Contradiction? The Opportunities<br /> Offered by Philology. 105<br /> Bianca De Mario: Salustia and us, or The Tragic Happy Ending: Opera Seria<br /> Between Dramaturgy and Stage Direction. 113<br /> 3 – Multimediality and Transmediality: Where is the Text ?<br /> Jelle Koopmans<br /> Gest in Action. Medieval Literature on Stage at the Opera – and elsewhere 137<br /> Eusebio Ciccotti<br /> The Philology and Aesthetics of Radio according to Leopold Blaustein 147<br /> Harri Veivo<br /> Performing Marinetti on YouTube. Questioning the History of the Avant-Garde<br /> in the Age of Digital Media. 163<br /> Mara Santi<br /> The Humiliation of the Stars. Mauro Covacich between Narration and<br /> Performative Art. 177<br /> 4 – Case Studies<br /> Sebastiano Ferrari<br /> Riccardo Mannerini and Fabrizio De André: Reflections on the Readaptation<br /> from Poetry to Song.  199<br /> Stefano Carlucci<br /> Unfaithful Copies and Respectful Betrayals.   213<br /> Pascal Terrien<br /> Sumidagawa from Noh theatre to Opera: Changing Aesthetics and Identity.   225<br /> Christina Ljungberg<br /> Laurie Anderson's Versions of Massenet / Corneille, Melville's Moby Dick,<br /> and Döblin / Fassbinder.   257<br /> Guendalina Sertorio<br /> Indro Montanelli, Sergio Amidei and Roberto Rossellini: Collaboration or Conflict?<br /> The Case of Il generale Della Rovere. 271<br /> Augusto Ponzio and Susan Petrilli<br /> Depicting the Vision of the Other in the Novel and Film. Bakhtin, Pasolini, Deleuze.  289<br /> Loreta de Stasio and José María Nadal<br /> Linguistics, Audiovisual Grammar, Semiotics, Poetics: The Emphasis in the<br /> Spoken Micro-Tales by the Characters within the Multimedial Discourse.<br /> Natalia Ginzburg, Pedro Almodóvar and Quentin Tarantino.   309</p> 16 00 « Floating texts » aims at offering some new theoretical insights about texts and their working in an ever-evolving global universe. 16 00 « Floating texts » aims at offering some new theoretical insights about texts and their working in an ever-evolving global universe. 17 00 <p>Texts are drifting entities through time and space.<br /> Texts are ephemeral vestiges of impenetrable cultural processes.<br /> Texts defy the growing fragmentation of the World Wide Web of<br /> words, sounds, images, and videos.<br /> Texts stay afloat on this multiverse ocean of virtuality that marks<br /> this new Renaissance, as rejects or witnesses.<br /> « Floating texts » aims at offering some new theoretical insights<br /> about texts and their working in an ever-evolving global universe.</p> 17 00 <p>Texts are drifting entities through time and space.<br /> Texts are ephemeral vestiges of impenetrable cultural processes.<br /> Texts defy the growing fragmentation of the World Wide Web of<br /> words, sounds, images, and videos.<br /> Texts stay afloat on this multiverse ocean of virtuality that marks<br /> this new Renaissance, as rejects or witnesses.<br /> « Floating texts » aims at offering some new theoretical insights<br /> about texts and their working in an ever-evolving global universe.</p> 01 00 03 02 http://pul.uclouvain.be/resources/titles/29303100606740/images/f4f1f13c8289ac1b1ee0ff176b56fc60/HIGHQ/9782875583208.jpg 06 00 03 02 01 D501 https://pul.uclouvain.be/resources/collections/101/images/101L.gif 06 3052405007518 Presses universitaires de Louvain 01 01 Dilicom PULOUVAIN 06 3052405007518 Presses universitaires de Louvain Louvain-la-Neuve BE 04 01 20141030 11 20141030 01 WORLD 02 01 GCOI 29303100606740 27 03 9782875583215 WORLD 00 03 06 3012405004818 CIACO - DUC 01 2 20 1 02 00 02 02 STD 02 24.50 01 R 6.00 23.11 1.39 EUR BE FR 00 02 06 3019000200508 Librairie Wallonie-Bruxelles 33 www.librairiewb.com/ http://www.librairiewb.com/ 01 2 20 1 04 00 02 02 STD 02 24.50 01 R 5.50 23.22 1.28 EUR