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		<TitleText textcase="01">Art &amp; Rite</TitleText>
		
		<Subtitle textcase="01">The power of objects</Subtitle>
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		<PersonName>Caroline Heering</PersonName> 
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		<Text language="fre" textformat="02">&lt;p&gt;What do the textiles, sculptures, jewels, masks, amulets, musical instruments, censers and prayer books in our museums tell us? How should we understand the uses and ways of life associated with these objects now they have been removed from their original context and put under the microscope in elaborate museum settings? Although their status has shifted from objects of worship to cultural objects they were all, at one time, used in ritual practices involving beliefs, gestures, words, sounds and smells. All of these elements are part of a set of actions that endow the objects with meaning within a circumscribed space and time, and a particular society.&lt;br /&gt;
&lt;em&gt;Art &amp; Rite&lt;/em&gt; reveals the beauty and strangeness of these objects which bear witness to the ritual and artistic creativity of human beings. Bringing different cultures into conversation, these objects tell the story of the ritual practices of humanity.&lt;br /&gt;
But the publication also interrogates the loss of meaning brought about by "embalming" in a museum and observes a new process of ritualization or re-sacralization through their re-contextualization in a museum environment.&lt;br /&gt;
This catalogue, coordinated by Caroline Heering and Anne-Marie Vuillemenot who commissioned the &lt;em&gt;Art &amp; Rite. The power of objects&lt;/em&gt; exhibition, also provides a wider platform for the results of the inter-disciplinary works carried out in the framework of the «Teaching and research at the heart of the Museum-laboratory» project (Louvain 2020 – UCLouvain).&lt;/p&gt;</Text>
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		<Text language="fre" textformat="02">&lt;p&gt;What do the textiles, sculptures, jewels, masks, amulets, musical instruments, censers and prayer books in our museums tell us? How should we understand the uses and ways of life associated with these objects now they have been removed from their original context and put under the microscope in elaborate museum settings? Although their status has shifted from objects of worship to cultural objects they were all, at one time, used in ritual practices involving beliefs, gestures, words, sounds and smells. All of these elements are part of a set of actions that endow the objects with meaning within a circumscribed space and time, and a particular society.&lt;br /&gt;
&lt;em&gt;Art &amp; Rite&lt;/em&gt; reveals the beauty and strangeness of these objects which bear witness to the ritual and artistic creativity of human beings. Bringing different cultures into conversation, these objects tell the story of the ritual practices of humanity.&lt;br /&gt;
But the publication also interrogates the loss of meaning brought about by "embalming" in a museum and observes a new process of ritualization or re-sacralization through their re-contextualization in a museum environment.&lt;br /&gt;
This catalogue, coordinated by Caroline Heering and Anne-Marie Vuillemenot who commissioned the &lt;em&gt;Art &amp; Rite. The power of objects&lt;/em&gt; exhibition, also provides a wider platform for the results of the inter-disciplinary works carried out in the framework of the «Teaching and research at the heart of the Museum-laboratory» project (Louvain 2020 – UCLouvain).&lt;/p&gt;</Text>
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		<Text language="fre">What do the textiles, sculptures, jewels, masks, amulets, musical instruments, censers and prayer books in our museums tell us? How should we understand the uses and ways of life associated with these objects now they have been removed from their original context and put under the microscope in elaborate museum settings?</Text>
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		<Text language="eng" textformat="02">&lt;p&gt;What do the textiles, sculptures, jewels, masks, amulets, musical instruments, censers and prayer books in our museums tell us? How should we understand the uses and ways of life associated with these objects now they have been removed from their original context and put under the microscope in elaborate museum settings? Although their status has shifted from objects of worship to cultural objects they were all, at one time, used in ritual practices involving beliefs, gestures, words, sounds and smells. All of these elements are part of a set of actions that endow the objects with meaning within a circumscribed space and time, and a particular society.&lt;br /&gt;
&lt;em&gt;Art &amp; Rite&lt;/em&gt; reveals the beauty and strangeness of these objects which bear witness to the ritual and artistic creativity of human beings. Bringing different cultures into conversation, these objects tell the story of the ritual practices of humanity.&lt;br /&gt;
But the publication also interrogates the loss of meaning brought about by "embalming" in a museum and observes a new process of ritualization or re-sacralization through their re-contextualization in a museum environment.&lt;br /&gt;
This catalogue, coordinated by Caroline Heering and Anne-Marie Vuillemenot who commissioned the &lt;em&gt;Art &amp; Rite. The power of objects&lt;/em&gt; exhibition, also provides a wider platform for the results of the inter-disciplinary works carried out in the framework of the «Teaching and research at the heart of the Museum-laboratory» project (Louvain 2020 – UCLouvain).&lt;/p&gt;</Text>
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		<Text language="eng" textformat="02">&lt;p&gt;What do the textiles, sculptures, jewels, masks, amulets, musical instruments, censers and prayer books in our museums tell us? How should we understand the uses and ways of life associated with these objects now they have been removed from their original context and put under the microscope in elaborate museum settings? Although their status has shifted from objects of worship to cultural objects they were all, at one time, used in ritual practices involving beliefs, gestures, words, sounds and smells. All of these elements are part of a set of actions that endow the objects with meaning within a circumscribed space and time, and a particular society.&lt;br /&gt;
&lt;em&gt;Art &amp; Rite&lt;/em&gt; reveals the beauty and strangeness of these objects which bear witness to the ritual and artistic creativity of human beings. Bringing different cultures into conversation, these objects tell the story of the ritual practices of humanity.&lt;br /&gt;
But the publication also interrogates the loss of meaning brought about by "embalming" in a museum and observes a new process of ritualization or re-sacralization through their re-contextualization in a museum environment.&lt;br /&gt;
This catalogue, coordinated by Caroline Heering and Anne-Marie Vuillemenot who commissioned the &lt;em&gt;Art &amp; Rite. The power of objects&lt;/em&gt; exhibition, also provides a wider platform for the results of the inter-disciplinary works carried out in the framework of the «Teaching and research at the heart of the Museum-laboratory» project (Louvain 2020 – UCLouvain).&lt;/p&gt;</Text>
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		<Text language="eng">What do the textiles, sculptures, jewels, masks, amulets, musical instruments, censers and prayer books in our museums tell us? How should we understand the uses and ways of life associated with these objects now they have been removed from their original context and put under the microscope in elaborate museum settings?</Text>
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		<Text textformat="02">&lt;p&gt;PREFACE 5&lt;br /&gt;
Anne Querinjean and Charlotte Langohr&lt;br /&gt;
INTRODUCTION 9&lt;br /&gt;
Rite and art 10&lt;br /&gt;
Anne-Marie Vuillemenot&lt;br /&gt;
Rite and the importance of objects 11&lt;br /&gt;
Myriam Watthee-Delmotte&lt;br /&gt;
Thinking the object under the prism of ritual 14&lt;br /&gt;
Ralph Dekoninck et Caroline Heering&lt;br /&gt;
Theological variations based on Christian ritual objects 20&lt;br /&gt;
Arnaud Join-Lambert&lt;br /&gt;
Walking around the exhibition 23&lt;br /&gt;
Anne-Marie Vuillemenot&lt;br /&gt;
RITUAL OBJECTS OR WORKS OF ART? 25&lt;br /&gt;
Myriam Watthee-Delmotte&lt;br /&gt;
Vajradhara 30&lt;br /&gt;
Philippe Cornu&lt;br /&gt;
Monstrance axe 32&lt;br /&gt;
Cédric Byl&lt;br /&gt;
Book of Hours 34&lt;br /&gt;
Ingrid Falque&lt;br /&gt;
Mask 36&lt;br /&gt;
Julien Volper&lt;br /&gt;
Chalice veil 38&lt;br /&gt;
Caroline Heering&lt;br /&gt;
RITUAL MANUFACTURE 41&lt;br /&gt;
Cédric Byl, Caroline Heering and Anne-Marie Vuillemenot&lt;br /&gt;
The drum (qilaut) 50&lt;br /&gt;
Frédéric Laugrand and Anne-Marie Vuillemenot&lt;br /&gt;
119&lt;br /&gt;
OBJECTS ACTIVATED, OBJECTS HANDLED 53&lt;br /&gt;
Ralph Dekoninck, Caroline Heering, Arnaud Join-Lambert,&lt;br /&gt;
Frédéric Laugrand and Anne-Marie Vuillemenot&lt;br /&gt;
Tambourine, ritual bell, dorje and white stole 66&lt;br /&gt;
Anne-Marie Vuillemenot&lt;br /&gt;
A RITUAL SHAPE: THE SPIRAL 70&lt;br /&gt;
Cédric Byl, Caroline Heering and Anne-Marie Vuillemenot&lt;br /&gt;
GAMES OF SCALE 79&lt;br /&gt;
Ralph Dekoninck and Anne-Marie Vuillemenot&lt;br /&gt;
Gigantic African mask 86&lt;br /&gt;
Julien Volper&lt;br /&gt;
THE POWER OF BEAUTY 89&lt;br /&gt;
Cédric Byl, Caroline Heering and Myriam Watthee-Delmotte&lt;br /&gt;
Art Deco monstrance 98&lt;br /&gt;
Arnaud Join-Lambert&lt;br /&gt;
A FAMILIAR RITE: MARRIAGE 100&lt;br /&gt;
Arnaud Join-Lambert and Myriam Watthee-Delmotte&lt;br /&gt;
THE MUSEUM: A NEW RITUAL CONTEXT FOR OBJECTS 109&lt;br /&gt;
Myriam Watthee-Delmotte&lt;/p&gt;</Text>
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		<Text language="fre">La collection « Musée L » propose aux spécialistes, étudiants, chercheurs, mais aussi au grand public intéressé des beaux livres à caractère scientifique : catalogues, livres d'art ou études d'une œuvre ou d'un fonds particulier du Musée L.</Text>
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		<Text language="fre">&lt;p&gt;La collection « Musée L » propose aux spécialistes, étudiants, chercheurs, mais aussi au grand public intéressé des beaux livres à caractère scientifique : catalogues pour accompagner une exposition temporaire présentée au Musée L, livres d'art autour d'une collection, ou encore études d'une œuvre ou d'un fonds particulier du Musée L.&lt;/p&gt;  &lt;p&gt;Ses objectifs, étroitement liés aux missionsd’un musée universitaire, sont d’une part demettre en valeur le patrimoine, d’y donnerun autre accès afin d’introduire à sa (re)découverte, et de le documenter ; d’autre part,de publier des travaux de recherche menésautour des œuvres et collections du Musée L,qu’ils soient portés par des étudiant∙es,chercheur∙es, professeur∙es de l’UCLouvainou par d’autres.&lt;/p&gt;</Text>
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