Presses universitaires de Louvain onixsuitesupport@onixsuite.com 20260908 eng

COM.ONIXSUITE.9782875583215 03 01 Presses universitaires de Louvain 01 SKU 90627PDF 02 2875583212 03 9782875583215 15 9782875583215 DG 002 01 GCOI 29303100606740 1 B01 Mattia Cavagna Cavagna, Mattia Mattia Cavagna 2 B01 Costantino Maeder Maeder, Costantino Costantino Maeder <p>Costantino Maeder est professeur en études italiennes à l'Université catholiquede Louvain. Ses principaux intérêts de recherche incluent la sémiotique, lapragmatique et les sciences cognitives.</p> 1 01 eng 324 00 324 03 26 1 PER000000 29 2012 3146 Lettres et Sciences du langage 10 PER009000 24 INTERNET Langues, liguistique et littératures 93 C 01 06 Arts du spectacle, philologues, théoriciens des arts de la scène 01 <p> How to establish a dialogue between Philology, which traditionally deals with written texts, and the "performing arts" – theatre, opera, cinema, radio drama – in which the text is just the shadow of a living, fleeting, ephemeral work of art which is called “the performance”?<br /> This volume invites to bridge the traditional gap between the author and the scribes, which means between the “original text” and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director, assume a very central role as intermediary author or co-author in the dynamic process of creating and re-creating works.</p> 03 <p> How to establish a dialogue between Philology, which traditionally deals with written texts, and the "performing arts" – theatre, opera, cinema, radio drama – in which the text is just the shadow of a living, fleeting, ephemeral work of art which is called “the performance”?<br /> This volume invites to bridge the traditional gap between the author and the scribes, which means between the “original text” and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director, assume a very central role as intermediary author or co-author in the dynamic process of creating and re-creating works.</p> 02 This volume invites to bridge the traditional gap between the author and the scribes, which means between the "original text" and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director... 04 <p> Mattia Cavagna and Costantino Maeder: About Moving Texts:<br /> an Introduction to Philology and Performing Arts 7<br /> 1 – New Theoretical Approaches<br /> Francesco Benozzo: Agents of the Empire or Defenders of Dissent?<br /> The Ethnophilologist as Performer of the Tradition 17<br /> Sarah Bonciarelli: Orality, Writing, and New Media 29<br /> Johan Wijnants: Opera Surtitles: a New Text Between Libretto, Score,<br /> Translation, and Performance. 39<br /> Caspar Schjelbred: Improvisational Theatre. Art in the Making 59<br /> 2 – Opera between Philology and Performance Studies<br /> Paolo Rosato: Analysis of Variants and Re-definition of Sense: Towards a Dynamic<br /> Notion of Authenticity in a Work of Art. Examples from and Remarks on Rossini's<br /> Barbiere. 71<br /> Giovanni Polin: Between Urtext and Evolutionary Tradition: Challenges and<br /> Problems for Musical Philology in Editions of Eighteenth-Century Italian<br /> Drammi per musica. Some Examples. 87<br /> Ingrid Schraffl: Historicity and Liberty in the Performance Practice of<br /> XVIIIth-Century Italian Opera Buffa: a Contradiction? The Opportunities<br /> Offered by Philology. 105<br /> Bianca De Mario: Salustia and us, or The Tragic Happy Ending: Opera Seria<br /> Between Dramaturgy and Stage Direction. 113<br /> 3 – Multimediality and Transmediality: Where is the Text ?<br /> Jelle Koopmans<br /> Gest in Action. Medieval Literature on Stage at the Opera – and elsewhere 137<br /> Eusebio Ciccotti<br /> The Philology and Aesthetics of Radio according to Leopold Blaustein 147<br /> Harri Veivo<br /> Performing Marinetti on YouTube. Questioning the History of the Avant-Garde<br /> in the Age of Digital Media. 163<br /> Mara Santi<br /> The Humiliation of the Stars. Mauro Covacich between Narration and<br /> Performative Art. 177<br /> 4 – Case Studies<br /> Sebastiano Ferrari<br /> Riccardo Mannerini and Fabrizio De André: Reflections on the Readaptation<br /> from Poetry to Song. 199<br /> Stefano Carlucci<br /> Unfaithful Copies and Respectful Betrayals. 213<br /> Pascal Terrien<br /> Sumidagawa from Noh theatre to Opera: Changing Aesthetics and Identity. 225<br /> Christina Ljungberg<br /> Laurie Anderson's Versions of Massenet / Corneille, Melville's Moby Dick,<br /> and Döblin / Fassbinder. 257<br /> Guendalina Sertorio<br /> Indro Montanelli, Sergio Amidei and Roberto Rossellini: Collaboration or Conflict?<br /> The Case of Il generale Della Rovere. 271<br /> Augusto Ponzio and Susan Petrilli<br /> Depicting the Vision of the Other in the Novel and Film. Bakhtin, Pasolini, Deleuze. 289<br /> Loreta de Stasio and José María Nadal<br /> Linguistics, Audiovisual Grammar, Semiotics, Poetics: The Emphasis in the<br /> Spoken Micro-Tales by the Characters within the Multimedial Discourse.<br /> Natalia Ginzburg, Pedro Almodóvar and Quentin Tarantino. 309</p> 43 « Floating texts » aims at offering some new theoretical insights about texts and their working in an ever-evolving global universe. 43 « Floating texts » aims at offering some new theoretical insights about texts and their working in an ever-evolving global universe. 44 <p>Texts are drifting entities through time and space.<br /> Texts are ephemeral vestiges of impenetrable cultural processes.<br /> Texts defy the growing fragmentation of the World Wide Web of<br /> words, sounds, images, and videos.<br /> Texts stay afloat on this multiverse ocean of virtuality that marks<br /> this new Renaissance, as rejects or witnesses.<br /> « Floating texts » aims at offering some new theoretical insights<br /> about texts and their working in an ever-evolving global universe.</p> 44 <p>Texts are drifting entities through time and space.<br /> Texts are ephemeral vestiges of impenetrable cultural processes.<br /> Texts defy the growing fragmentation of the World Wide Web of<br /> words, sounds, images, and videos.<br /> Texts stay afloat on this multiverse ocean of virtuality that marks<br /> this new Renaissance, as rejects or witnesses.<br /> « Floating texts » aims at offering some new theoretical insights<br /> about texts and their working in an ever-evolving global universe.</p> 99 BE 04 01 http://pul.uclouvain.be/resources/titles/29303100606740/images/21e8cadba9839cd22bc29597866632e3/HIGHQ/9782875583215.jpg 02 https://pul.uclouvain.be/book/?GCOI=29303100606740 06 3052405007518 Presses universitaires de Louvain 01 06 3052405007518 Presses universitaires de Louvain Louvain-la-Neuve BE 04 20141030 434 2014 01 WORLD 13 03 9782875583208 06 3012405004818 CIACO - DUC 03 WORLD 01 2 20 1 04 00 02 02 STD 02 16.00 EUR FI S 24.00 12.90 3.10 04 00 02 02 STD 02 16.13 EUR GR S 24.00 13.01 3.12 04 00 02 02 STD 02 16.00 EUR IE S 23.00 13.01 2.99 04 00 02 02 STD 02 16.00 EUR PT S 23.00 13.01 2.99 04 00 02 02 STD 02 16.00 EUR SI S 22.00 13.11 2.89 04 00 02 02 STD 02 16.00 EUR LT S 21.00 13.22 2.78 04 00 02 02 STD 02 16.00 EUR LV S 21.00 13.22 2.78 04 00 02 02 STD 02 16.00 EUR NL S 21.00 13.22 2.78 04 00 02 02 STD 02 16.00 EUR ES S 21.00 13.22 2.78 04 00 02 02 STD 02 16.00 EUR AT S 20.00 13.33 2.67 04 00 02 02 STD 02 16.00 EUR EE S 20.00 13.33 2.67 04 00 02 02 STD 02 16.00 EUR MC S 20.00 13.33 2.67 04 00 02 02 STD 02 16.00 EUR SK S 20.00 13.33 2.67 04 00 02 02 STD 02 16.00 EUR CY S 19.00 13.45 2.55 04 00 02 02 STD 02 16.00 EUR DE S 19.00 13.45 2.55 04 00 02 02 STD 02 16.00 EUR MT S 18.00 13.56 2.44 04 00 02 02 STD 02 16.00 EUR MQ S 8.50 14.75 1.25 04 00 02 02 STD 02 16.00 EUR GP S 8.50 14.75 1.25 04 00 02 02 STD 02 16.00 EUR RE S 8.50 14.75 1.25 02 00 02 02 STD 02 16.00 EUR BE R 6.00 15.09 0.91 04 00 02 02 STD 02 16.00 EUR FR R 5.50 15.17 0.83 04 00 02 02 STD 02 16.00 EUR IT R 4.00 15.38 0.62 04 00 02 02 STD 02 16.00 EUR LU R 3.00 15.53 0.47 03 00 02 02 STD 02 16.00 EUR WORLD AT BE CY EE FI FR DE GR GP IE IT LV LT LU MT MQ MC NL PT RE SK SI ES