European Digital Cinema Security White book


Première édition

This book results from the work of the Enhanced Digital Cinema (EDcine) project established by the European Commission in the context of the Networked Audio Visual line of the 6th framework of IST (Information Society and Technology).
The worl


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Spécifications


Éditeur
Presses universitaires de Louvain
Auteur
EDCINE Consortium,
Collection
SIMILAR
Langue
anglais
Catégorie (éditeur)
Sciences appliquées > Informatique > Graphisme et multimédia
BISAC Subject Heading
COM000000 COMPUTERS
Code publique Onix
06 Professional and scholarly
CLIL (Version 2013-2019 )
3238 Réseaux et Télécommunications
Date de première publication du titre
01 janvier 2007
Subject Scheme Identifier Code
Classification thématique Thema: Technologie des communications / télécommunications
Type d'ouvrage
Monographie

Livre broché


Details de produit
1 A4
Date de publication
01 janvier 2007
ISBN-13
9782874630903
Ampleur
Nombre de pages de contenu principal : 266
Code interne
77347
Format
14,5 x 20,5 x 1,5 cm
Poids
336 grammes
Prix
13,50 €
ONIX XML
Version 2.1, Version 3

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Sommaire


ACKNOWLEDGEMENTS.........................................9
FOREWORD........................................................11
EXECUTIVE SUMMARY........................................13
AUTHORS AND CONTRIBUTORS..........................15
CHAPTER 1
INTRODUCTION TO DIGITAL CINEMA AND
SECURITY...........................................................17
The Long Transition to Digital....................................20
Digital and Security in the Film Industry....................37
Goals..........................................................................45
CHAPTER 2
EUROPEAN CINEMA SPECIFICITY.........................47
Introduction...............................................................47
About European Cinema Fragmentation....................47
American Homogeneity versus European
Fragmentation...........................................................47
A Pan-European Future?.............................................49
CHAPTER 3
FROM CELLULOID TO DIGITAL IN EUROPE .........51
The Cinema Chain......................................................51
The Cinema Chain by Pairs........................................53
Pros and Cons with the Transition to Digital...............62
New Digital Distribution Models.................................65
CHAPTER 4
END-TO-END EUROPEAN DIGITAL CINEMA TRUST
MODEL................................................................69
Introduction...............................................................70
European Digital Cinema Model.................................78
Digital Cinema Security System Model.......................92
Conclusions..............................................................104
CHAPTER 5
DIGITAL CINEMA STANDARDS AND
SPECIFICATIONS...............................................111
DCI & SMPTE Functional Model................................111
DCI Security Specifications and SMPTE Standards...115
Trust Model with DCI/SMPTE....................................154
(Un)Completeness of DCI/SMPTE and Other Issues. .158
CHAPTER 6
THREAT ANALYSIS OF EUROPEAN DIGITAL CINEMA
.........................................................................163
Introduction.............................................................163
Context Analysis......................................................169
Threat Identification and Attack Trees.....................186
Conclusion...............................................................204
CHAPTER 7
BEYOND DCI & SMPTE: FULFILLING EUROPEAN
NEEDS..............................................................207
Financing and VPFs in European Context.................207
Europe Beyond DCI & SMPTE...................................213
End-to-End Digital Cinema Security.........................218
Watermarking and Fingerprinting............................223
Anti-Camcording......................................................228
DRM and Interoperability.........................................233
Archives...................................................................235
CHAPTER 8
CONCLUSIONS AND RECOMMENDATIONS........237
Top Security Priorities for European Digital Cinema.238
Recommendations...................................................239
REFERENCES....................................................249

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